The talented music whizz Cak Lyf Music has dished out four impressive new songs: “Aint No Need”, “704 West Trade Streed (Instrumental)”, “U Neva Know”, and “Watch da Flow”
Coming up with four new titles, namely “Aint No Need”, “704 West Trade Streed (Instrumental)”, “U Neva Know”, and “Watch da Flow”, the adroit music artist Cak Lyf Music has brought about a new wave in world alternative hip-hop, that sets the bar high for him and his future creations. Each of the songs comes with a distinct flavor of its own and yet bears the unmistakable trademark of the artist’s innate creative depth and authenticity. Standing tall on the strength of the singer’s sublime songwriting, the songs bring to light the insane diversity and vocal range that he possesses and leave a lasting impression on the listeners.
In “Aint No Need”, the artist comes together with the talented Carla Coleman and dishes out an instantly intriguing number that gives way to a relentless rap outpour, keeping listeners engaged throughout its four minutes and fifty-eight seconds run-time. Building a sonorous ambiance of mystery and unpredictable twists, “704 West Trade Streed (Instrumental)” makes for a haunting melody that compels the audience to return to it time and again. With “U Neva Know”, Cak Lyf Music brings his intrinsic flair for storytelling to the fore and captivating listeners into the narrative, while keeping to the mellower edge of vocal flow. Fearless experimentation meets instantly enlivening energy in “Watch da Flow”, sweeping the audience into a contagious groove that turns into a pleasant earworm for the season. Each of these invaluable musical gems can be listened to on Spotify. Check out more of his music on Apple Music, YouTube Music, and YouTube. Follow the artist on Instagram for more.
Visit the below link for listening to all tracks on Spotify:
https://open.spotify.com/artist/5t1ozRpfwuLF4SprwGM4Qc
Hughes Nelson is a contributing writer for Daily Music Roll. He also runs few other blogs, where he analyzes pop, hip-hop, and other music too seriously. Hughes reviews the music on daily basis and magnanimously indulges, encourages, and even participates in music discussion worldwide.
