The creative latitudes of rap and hip-hop alongside the rhythmic distortions of contemporary trap in Brave Da Pharoh’s soundscape comprise the best musical elements.
An artist’s imagery that is currently my feed of creative tranquility is created by hip-hop artist Brave Da Pharoh. He has painted his canvas with the musical instincts that conceptualizes the virtues of being by giving himself and his audience a closure of lyrical circulation. A soundscape so timeless and ambiguous that his song stream resonates diversity in terms of thematic and underlying wisdom. His profound Extended Play, ‘Land Of The Brave: Mache kout’ and its songs ‘Pharoh’z After Party’ and ‘64’z I’m Smoking’ has had my creative instincts to flow without any boundaries.
Hailing from South Florida, Brave Da Pharoh’s soundscape, in my opinion, recreates the protesting virtue, hustle, and objective of hip-hop in a respectful manner. However, the surprise lies in his ability to curate a sound that marries hip-hop’s outspokenness with the electronic modulations of contemporary rap. Some of his other songs like ‘Cant Stop It’ and ‘Certain Way’ are synonymous with lyrical protest writing and transformative musical glory. Working with Pharoh Entertainment Inc. and DashBlackOut Records, he has laid down the purpose of musical glory and given me the personal space for constructive contemplation. Follow Brave Da Pharoh’s work on Facebook, Instagram, YouTube and his website to experience this boisterous musical escapade.
Charles Edward is a writer and musician from New York City. He publishes various poems and writes songs for his band.
He is one of the leading members of a New based Rock band. He also does reviews in Daily Music Roll and writes music blog posts.
